Both fonts of the Remus family are complete redesigns of turn-of-the-century fonts. The regular style is based upon an inhouse design of Schelter & Giesecke in 1889, called Romanisch. This font was adopted by...
Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be...
by Staff · Published September 20, 2022
· Last modified December 28, 2022
Four fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard’sche Gießerei, Offenbach,...
by Staff · Published September 20, 2022
· Last modified December 28, 2022
Schelter & Giesecke’s grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals.
by Staff · Published September 20, 2022
· Last modified December 28, 2022
A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.
by Staff · Published September 20, 2022
· Last modified December 28, 2022
Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.
by Staff · Published September 20, 2022
· Last modified December 28, 2022
Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and...