Neue Schwabacher
Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch &...
font_foundry: RMU
RMU Kontrast
F. H. Schneidler’s ‚Kontrast‘, released by Weber in 1930, revived.
RMU Pergola
RMU Pergola is a font design which was inspired by a late-19th century font of Georg Giesecke. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
Antiqua Florenz
A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both...
RMU Neptun
A turn-of-the-century Art Nouveau display font, originally from the Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach, revived and extended.
Schreibmeister
Schreibmeister is my interpretation of Arno Drescher’s design for Ludwig Wagner, Leipzig, completed in 1958. The letters X and x were improved as well as some ligatures. The letter E has an alternative, and...
Jean Paul Fraktur
A typographic treasure, originated at the end of the 18th and the beginning of the 19th century, had been brought back to life. With its charming touch it makes a wonderful font for poems,...
Emilia Fraktur
Based upon Emil Rudolf Weiss’ Fraktur, first released in 1913, Emilia Fraktur was redrawn and extended not only with its engraved initial caps but also with various ornaments and border elements.To get access to...
Gravira
Herbert Thannhaeuser’s Gravira, released by Schelter & Giesecke in 1935, redrawn and revived for nowaday’s use.
RMU Luchs
Jakob Erbar’s Art Deco font ‚Lux‘, released by Ludwig & Mayer in 1929, completely redrawn and redesign. The German umlaut glyphs Ä, Ö, and Ü come in their original form in the uppercases; in...