Aisha Latin
Aisha Latin is a fun, individualistic typeface that strides the line between text and display typography. Designed as a counterpart to Aisha Arabic, it is inspired by the free, dynamic curves of brush-pen calligraphy...
font_foundry: Rosetta
Nassim Latin
Nassim is a contemporary typeface for multilingual text-setting. With its lively texture and balanced rhythm, Nassim is a proven workhorse for a vast array of applications, from literature to the sciences, scholarly publications to...
Arek Latin
Arek is Rosetta’s award-winning collection of Latin and Armenian families. Originally designed for use in textbooks and the schoolroom, Arek is an active typeface that holds the reader’s attention with kinetic details tucked into...
Eskorte Latin
Eskorte is a diligently designed Latin type family with an uncomplicated, engaging poise that conveys a crisp, businesslike tone. Its precise range of styles looks to no-nonsense efficiency and ease of use by non-designers...
Gitan Latin
Gitan is a flared sans serif, reminiscent of engraving and stone carving. Sturdy and informal, the design features a moderate contrast that provides durability for text setting. Crisp design details like cuneiform head serifs...
Corsair PE
Corsair is a rugged font with a handcrafted touch. Familiar and easy to work with, it has a worn-in feel that slots right into your typographic toolkit like you’ve known it all along. Originally...
Clone Rounded Latin
Clone Rounded is a retrofuturist typeface by Lasko Džurovski from Macedonia, fusing the vintage look of CRT monospaced forms with the organic mutability of a multi-weight, proportional family fit for reading. This lovechild of...
Avory PE
Avory is a gently condensed sans that challenges convention. It wears expressive details like a low optical center, wide horizontal crossbars, and lettering-inspired touches to the diagonals and terminals. Tall, with broad shoulders, it...
Adelphi PE
Adelphi is a geometric sans, redefined for the northern side of the English Channel.Typographic modernism was a late arrival in Britain — due partly to the Second World War and to the strong local...
Gridlite PE Variable
The two great technical constraints a type designer can tackle are low resolution, which limits detail and dictates proportions between negative and positive shapes, and uniform width, which restricts each letter to a fixed...