Aisha originated from research about the Maghribi script – its regular Arabic weight is based on the foundry type Titus discovered in a 19th century book. In the process of design Titus reinterpreted the...
by Staff · Published May 26, 2015
· Last modified April 29, 2020
Nassim is a contemporary typeface for multilingual text-setting. Its lively texture pays tribute to calligraphic heritage. The well balanced rhythm and a vast array of features allow for a wide range of applications, from...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Neacademia is a Latin and Cyrillic type family inspired by the types cut by 15th century punchcutter Francesco Griffo for Venetian printer Aldus Manutius. Beyond the letterforms themselves, however, the digital fonts themselves are...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Sutturah is a display font intended for posters and display environments demanding high visual impact. Originating from an exploration of new, radical text patterns, the font combines tightly detailed and constructed shapes with the...
by Staff · Published May 26, 2015
· Last modified October 14, 2015
Primarily intended as a robust, energetic text typeface, Skolar was designed to address the needs of serious typography. The typeface, having seen extensive use across diverse platforms and purposes, continues to maintain its credibility...
by Staff · Published May 26, 2015
· Last modified April 29, 2020
Arek is Rosetta’s award-winning type family covering Latin and Armenian. The design draws on extensive research in traditional manuscripts, exploring and emphasising the distinctive, calligraphic roots of Armenian. The highly original cursive style…
by Staff · Published May 26, 2015
· Last modified April 29, 2020
Eskorte is a diligently designed Latin-Arabic type family with an uncomplicated, inviting style that manages to convey a crisp, businesslike tone of thorough functionality. Its compact range of styles has been designed with a...