Authentic rendering of the original font called Vanden Houten from the Keystone Foundry in Phaladelphia. Very popular among job printers of the early twentieth century.
by · Published May 26, 2015
· Last modified December 27, 2022
Here’s a wide, very light version of the widely known font P. T. Barnum (or French Clarendon, if you prefer). We have used this to good effect as secondary lines on old fashioned stationery....
by · Published May 26, 2015
· Last modified December 27, 2022
This was a patented design, so we know who designed it and when. August Will was a type cutter who sold his work to a number of foundries. We worked over this design to...
by · Published May 26, 2015
· Last modified December 27, 2022
You will see this in the old type catalogs as Dainty. Late in the nineteenth century, type founders developed a number of fonts with a “pen-drawn” look. They wanted to complete with the work...
by · Published May 26, 2015
· Last modified December 27, 2022
The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become...
by · Published May 26, 2015
· Last modified December 27, 2022
Many years ago, we bought a bunch of proofs that had apparently come from the defunct Van Loey-Nouri foundry in Belgium. Cognac was an incomplete alphabet among them, which we completed. Just a guess,...
by · Published May 26, 2015
· Last modified December 27, 2022
From an old wood type owned by a San Francisco printer. Wood types were customarily given somewhat generic names (Antique Tuscan) or, more frequently, numbers to identify them. Our clients liked colorful, easily-remembered names...
by · Published May 26, 2015
· Last modified December 27, 2022
Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a...
by · Published May 26, 2015
· Last modified December 27, 2022
The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why...
by · Published May 26, 2015
· Last modified December 27, 2022