An old wood type we picked up in London from the Fredrick Ullmer Company. It’s not marked, and we’ve never seen it in a catalog, so we don’t know who made it. We like...
by · Published May 26, 2015
· Last modified December 27, 2022
This is a neat lightface font from the 1880s, issued by MacKellar, Smiths & Jordan of Philadelphia. Just a hint of Victorian design on a few letters. All in all a clean, easy to...
by · Published May 26, 2015
· Last modified December 27, 2022
This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one...
by · Published May 26, 2015
· Last modified December 27, 2022
This font was inspired by the embossed lettering on cigar boxes. The letters, or entire words, are often surrounded by raised dots, and that was our idea here. We drew this about 1997, and...
by · Published May 26, 2015
· Last modified December 27, 2022
Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for...
by · Published May 26, 2015
· Last modified December 27, 2022
This interesting type was introduced by the Chicago firm of Marder, Luse & Company in 1890, about the time designers were beginning to lose some of the excessive ruffles and flourishes that characterized the...
by · Published May 26, 2015
· Last modified December 27, 2022
A neat face with pronounced spur serifs which several foundries have already digitized. We like ours better though, because we have drawn a lowercase which was lacking in the original. Barnhart Bros. & Spindler...
by · Published May 26, 2015
· Last modified December 27, 2022
The devil does indeed find work for idle hands. This was designed by Dan X. Solo about with no excuse whatsoever. The name comes from the fact that a circus that we regularly did...
by · Published May 26, 2015
· Last modified December 27, 2022
Designed by Peter Behrens, well known graphic artist and architect in Germany in the late 19th and early 20th century. This “Antiqua” was done for Rudhard’s Typefoundry in Offenbach A. M. around 1902, and...
by · Published May 26, 2015
· Last modified December 27, 2022
Here is a wood type from Tubbs & Co., about 1900. Its lack of decoration reflects the changes that were rapidly occurring in the design of printed pieces at the beginning of the 1900s....