Spearhead
Once again we have added a lowercase to a caps-only type from late Victorian times. We made quite a few changes from the original to make words flow better.
font_foundry: Solotype
Huntsman
Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee...
Longbranch
A modern cutting designed to give the appearance of an old wood type. The letters were cut as linoleum blocks about 2 inches high, then duplicated as copper electrotypes. Used for some Ringling Bros....
Master Script
An unusual angular vertical script. In late Victorian times it was seen mostly in advertising work, seldom in social stationery and announcements.
Fairmont
This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in today¹s...
Emperor
Another design inspired by Chinese characters, but with a somewhat less obvious treatment than many.
Tourist
MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!
Tuscan Gothic
This is a Vanderburgh and Wells wood type cap font from 1877. We don’t know if the originators made a lowercase for it, but we did. Most effective in larger sizes.
Moritz
Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
Riviera
This is derived from the Marder, Luce foundry’s face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.