FrankieDos
Following in the footsteps of his brother Frankie, FrankieDos entered our catalogue a few years later. FrankieDos follows the same pattern: how to imitate analogic features in a vector-based typeface.
font_foundry: Type-Ø-Tones
Peter Sellers
Peter Sellers is a revival display font. We wanted to pay homage to the fifties graphic design with this stylish typeface. Use the “Base” style alone or overlap it with “Volume” and change it...
Analfabeto
The Brazilian illustrator, Flavio Morais, devised this amusing display alphabet to have his own font for his former website. We helped to digitalize it and encouraged him to complete it with a series of...
Surreal PostIndian
Surreal PostIndian by Laura Klamburg. OpenType, 2 styles According to its creator, Surreal Post Indian was inspired by the performance of an American Indian artist, but this typeface seems more connected with pop neon signs....
EbuScript
EbuScript by José Manuel Urós. OpenType, 1 style The very first font of Type-Ø-Tones, EbuScript, comes from the pen of José Manuel Urós —nicknamed Ebú in those times. Now it is still in our catalogue...
Scissorgirl
Scissorgirl by Julia Friese and Clare Keogh OpenType, 1 style Scsissorgirl is the crafty work of Ms. Julia Friese and Clare Keogh with the unselfish help of Josema Urós. Following Cortada path, this is a...
Arbotek
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real ‘architect typography’, with a basic and radical approach to pure geometric forms. The three basic styles...
Sniff
Joan Barjau used the pseudonym “Sniff” while working as a cartoonist for the Spanish satirical magazine “El Papus”, and Sniff is also the typeface based on the style of lettering he used for the balloons....
Lalola
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa...
Tschicholina
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase “universal” font which has always been considered to have very little future; this is why we have...