Dr. Gerard Unger expands the concept of Sanserata to a sans type family with Sanserata, adding specific characteristics which improve reading. Sanserata’s originality does not overtly present itself at text sizes. Rather, at those...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Quentin Schmerber’s Temeraire serif font family was not designed to be invisible. It is a typographic exploration meant to be seen — with its beauty, one could even say beheld. While some fonts aim...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Louisa Fröhlich’s Lisbeth is the charming all-italic trailblazer that handles branding and text with internal vividness. With no roman style, it’s an italic-only family whose creation was guided by imagination instead of restrictive writing...
by Staff · Published February 27, 2020
· Last modified December 28, 2022
Teo Tuominen’s Trevor took its first breath as a revival of an 18th century antiqua, but culminated in an entirely new and good-natured family. Trevor is an affable slab serif in nature: both heavy...
by Staff · Published July 14, 2015
· Last modified December 28, 2022
Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is...
by · Published May 26, 2015
· Last modified December 28, 2022
Inspired by Britain’s classic literature and created by Veronika Burian and José Scaglione, Athelas prioritises the beauty of fine book printing. It takes full advantage of typographic tranquility — the white space in the...
by · Published May 26, 2015
· Last modified December 28, 2022
The bâtarde flamande is a style of writing used predominantly in France and present-day Belgium in the 15th century. The style shares an ancestry with other writing styles traditionally grouped as blackletter— fraktur, textura,...
by · Published May 26, 2015
· Last modified December 28, 2022
Karmina Sans was developed by Veronika Burian and José Scaglione as a large type family with its own features and personality, able to perform alongside its serifed cousin, Karmina. Karmina Sans shares the same...
by · Published May 26, 2015
· Last modified December 28, 2022
Alizé is a three-weight typeface inspired by the chancery italic of the 16th century. It is a high-contrast face, created with syncopations in axes and proportions and subtle irregularities that form a lively and...
by · Published May 26, 2015
· Last modified December 28, 2022
While Adelle is a slab serif typeface conceived by Veronika Burian and José Scaglione specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose...