Sansarah
Sansarah began as a custom type commission for Columbia College, Chicago. Sarah Faust, photographer and designer on the school’s Creative Services staff, had been contributing her own handwriting to the brand. When it came...
font_foundry: TypeTrust
Vandermark
Vandermark began as a simple daydream of what became the ‘n’ glyph. I considered the elegant balance of a terminal stroke that would never join its supporting stem. The premise was simple, but further...
Everafter
There are no straight lines in Everafter. The vectors were all drawn and tweaked by hand (and mouse) for a softened, wobbly appearance. The result is a naive serif type that doesn’t take itself...
Fatty
Fatty is based on the lettering in a series of silkscreened posters by my friend Chris May. Upon transforming it into a full-fledged digital font, I developed alternate letterforms for the lowercase. The bloated...
Heroic Condensed
Heroic Condensed is the graphic embodiment of the idealized, no-nonsense, narrow grotesque. From poster design to editorial layout, Heroic Condensed is intended for a range of uses—a worthy addition to any designer’s font collection....
Lump
Lump started as a series of hand-drawn buttons I made for a Lumpen event in 2005. This digital version keeps the linework loose and the corners choppy. Use Lump wherever you need a hefty...
Rickety
Rickety was inspired by a lettering style that my friend Chris May had been using in his silkscreen projects. I collaborated with him on the full character set to produce this digital version. It...
Breuer Text
Breuer Text is a simple geometric sans with relaxed curves and slightly condensed proportions suitable for moderate lengths of body copy. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs...
Diego
Diego was originally produced as a custom font for the San Diego Padres broadcast graphics package. I was imagining Copperplate Gothic dressed in a black linen suit sipping Cuervo gimlets in the pressbox at...
Breuer Headline
Breuer Headline exhibits a modern geometric structure tempered with subtle strokes of friendly humanism. Its neutral forms and sturdy rhythm are convincing without being forceful. The lowercase has a slightly casual feel. Set in...