font_foundry: URW Type Foundry
Corporate S WGL
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif),...
Corporate A WGL
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif),...
Corporate E WGL
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate...
ClarendoNeo
Why do we need a new Clarendon? German designer Björn Altmann studied all existing versions of Clarendon and their sources and found that these Clarendons, originally designed for text sizes, do not satisfy today’s...
Urban
URW Urban follows the trend of pattern fonts. Each character has been provided with an individual pattern created with a special stamp technique. To create a vivid typeface, there is a stylistic alternate for...
AM Sans One
When designing AM Sans One, it was a great challenge for me to develop a modern sans serif, which despite the large number of existing fonts in this sector has its own unique character....
Nimbus Sans Arabic
Nimbus Sans ME is the expansion within the Nimbus Sans family for the Middle East range: Arabic (incl. Farsi) and Hebrew. Volker Schnebel has designed both scripts, which each include five upright and five...
LP Saturnia Sans
Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even...