URW Urban follows the trend of pattern fonts. Each character has been provided with an individual pattern created with a special stamp technique. To create a vivid typeface, there is a stylistic alternate for...
by Staff · Published May 26, 2015
· Last modified October 14, 2015
In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Preparing for a trip to Korea, Anita Jürgeleit studied the Korean alphabet. The prevailing writing system in Korea grouping characters to syllables fascinated her so much that she dared the experiment to develop such...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
When designing AM Sans One, it was a great challenge for me to develop a modern sans serif, which despite the large number of existing fonts in this sector has its own unique character....
by Staff · Published May 26, 2015
· Last modified October 6, 2015
The idea for this completely new font design with overlapping characters came when Axel Stoltenberg, longtime IKARUS program developer at URW + +, visited a restaurant. As it can be seen quite often ,...
by Staff · Published May 26, 2015
· Last modified October 10, 2015
Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a...
by Staff · Published May 26, 2015
· Last modified October 19, 2015