»QUINCY« started as an art project. I was stitching roughly cutout letters together on a piece of wooden board, but I didn’t like the result! So I ended up with a font in three...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»COSMA« is an old greek word that stands for »beauty« and »order«, I thought it a very befitting name for my new font-family. My »Cosma« has that special high-contrast Renaissance beauty but is very...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»Elita« is a 100% geometric font designed on a 3 by 16 grid that makes it very slim. There are no optical tricks employed, it is purely geometric. The extreme narrow font design gives...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»Artis« is the name for my latest art-project-font. Obviously I just chopped off the last »t«. Then I looked it up on Wikipedia and what do you know, it is of latin descent. »Ars...
by Staff · Published December 27, 2022
· Last modified May 18, 2024
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it....
by Staff · Published December 27, 2022
· Last modified May 18, 2024
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it....
by Staff · Published December 27, 2022
· Last modified May 18, 2024
»Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the...