Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
“Frank Woods” is a wooden typeface based on the form of Franklin Gothic Heavy. The three cuts fit together and enable the user to create a lot of impressive variations. Enjoy! The amount of...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form....
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Vividangelo is designed after the handwriting of a real person. I saw it on the pricetags in a small shop and convinced the person to have her handwriting converted into a font. She is...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy...