Darlene is a sans with contrast and round corners. The absence of serifs results in a clean look, the contrast adds a touch of elegance and the soft edges help to keep it all...
Edith is a handmade serif typeface that can be used for long texts. To make it even better suitable, it is equipped with all the major features you’d expect from a traditional text-font, such...
Corso is a clean condensed sans serif font family. It comes in upright, slanted and italic, in six weights each.It includes useful typographic features such as fractions, ligatures and case sensitive forms. Also included...
The character of Vivala Sans Round is modern and stylish with elegant squarish shapes. The family includes five weights. A large x-height is ideal for titles and body text. The extended character set supports...
The pixel font is designed based on a 25 grid. Ideal for headlines, but also easy to read in smaller font sizes. The font supports 219 languages and is equipped with a large symbol...
The design of Vivala Re highlights a powerful contrast between thin curved lines and straight stems. The inline style is not limited to the inside of the strokes but is actively incorporated into the...
The Vivala old black letter font family is characterized by its hard-cut lines. This gives the typeface a special woodcut-like character. The typeface family offers a wide range of possibilities for design. It works...
Faustian is a modern study and different take on classic historical black letter styles, geometric in its construction, giving a very modern clean look whilst its historical influences shine through. coming in 3 weights...
As a graphic designer, sometimes it’s impossible not to be inspired by the Swiss Style, specifically the work of Armin Hofmann, who is one of its best exponents. Grids and grotesk and neo-grotesk typefaces...
Supera Gothic is a design inspired by the early geometric and humanist typefaces of the 20th century. Its characters draw inspiration from Erbar Grotesk by Jakob Erbar and Johnston by Edward Johnston; hence, in...