Musical notes and letterforms, silences and white spaces, pentagrams and lines, music and writing have much in common and go beyond time, cultures, styles and locations. This new typeface emerges from the blend between...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Strings vibrating against wood. Counterpoints. Strong beated rhythms and smooth flexible melodies. Repetitive sequences and syncopations. Sweeps and slides. Folk and tradition. That’s how Dobro sounds. Inspired by the spirit of bluegrass music and…
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Sudtipos is proud to announce the release of Découpe, a display typeface program of eight fonts, designed by María Carla Mazzitelli and born during her Masters in Typography at the University of Buenos Aires...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Ciabatta is a luscious font made especially for packaging. Thanks to 5 weights, it can be used for all eventualities; powerful in headlines or as lettering, yet very legible in small texts. Its shapes...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting Roger Excoffon’s Antique...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
The typeface that became Quair was originally planned as an extension of our Oban typeface. As it developed it became different enough to be a stand-alone, but connected typeface. Quair mixes typographic and graphic...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent — so positioned where...
by Staff · Published August 31, 2019
· Last modified December 27, 2022
Alejandro Freitez’s first commercial typeface is inspired by contemporary serifs and newspaper typography. Calicanto is a compact typeface with strong serifs, symmetrical curves and a vertical axis. It has open counters and a generous...