Docu
»DOCU« is my font for everything »office« and »document«. It’s narrow, yet open design is perfectly suited to put a lot of text into small areas. The fonts in the DOCU family have phantastic...
font_shop: MyFonts
Classic Sans Rounded
»Classic Sans Rounded« is the brother of the mother of all »Sans« typefaces. I designed the rounded version because there seems to be a need for soft SANS typefaces and I like them very...
Classic Sans
»Classic Sans« is the Mother of all »Sans« typefaces. Around 1880 Ferdinand Theinhardt designed this Grotesk for use in scientific publications. By designing his font for the »Royal-Prussian-Academy of Sciences in Berlin« Ferdinand Theinhardt…
Sutro Initials
A two-font chromatic (or layered) set. The Primary font, which is the old Sutro Inlined Initials. Salvaged from the wreckage of my Type1 font library, the inlined initials have been in the shop for...
Inicia
A retro-style can be regarded as lack of original contemporary ideas. But also as passion for nostalgic time-traveling. Everyone wants to return to their youth at least for a moment. Inicia was one of...
Dracula
The best way to radicalize your typographic expression is to use Blackletter! Gothic calligraphy had been used throughout all historical periods without much of the principal development the Latin typefaces underwent. However, since the...
Coroner
I never needed to digitize this early design from 1988. I found it in a drawer underneath layers of dozens of other type designs. The drawings were made with ink on paper, about 15...
Jasan
Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture. In a landscape it’s a rather inconspicuous tree which forms beautiful alleys. Jasan typeface represents a...
Amphibia
On a sans-serif basis it contains trapezoid ascenders, balls & rounded ears, which may resemble the serif feel in smaller sizes, thus long reading is surprisingly easy. Amphibia is suitable for everything from contemporary...
Wurst Hassen
WurstHassen is an ugly, violent typeface, full of anger and rage.The two overlay styles can be used alone or layered with the base font to produce bi- or tricolored lettering.