Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name “Boutique”. A year later, Norbert du Vinage, former manager of the type design department, integrated...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 90th, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Renova was designed by Elsner+Flake in the late 90s as a contractual work. The font family comes as a typical Office pack in EuropePlus layout for at least 72 Latin languages. It is optimized...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, which gives designers...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The design of the Newspoint typeface is based on the tradition of the American sans serif faces of the last century. This form expression was greatly influenced by the News Gothic type which was...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Minimal, modular, modern—at first glance, Materia shows a contemporary flair, combining pure, strong geometrical form with a subtle, distinct appearance. Actually, the design was inspired by lettering from the turn of the 19th to...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The design of Kristall Grotesk is based on a cut by Wagner & Schmidt, Leipzig, from the 30s of the last century. The basis for the digital version of the Stiftung Werkstattmuseum für Druckkunst...