Garamond #3
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the...
font_shop: MyFonts
DIN Next Stencil
The DIN Next™ Stencil suite of designs is DIN with an attitude. It’s even more industrial strength than the original. DIN Next Stencil’s seven roman weights are perfect for projects that require a mechanized,...
Courier LT
Courier is one of the most well-recognized typefaces in the world. Everyone recognizes it as the face originally designed for use on typewriters. A typical characteristic of older typewriters is that all characters are...
Caslon #540
The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was...
Caslon #3
The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script...
Avenir Next
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass...
Aldus Nova
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into...
Al Harf Al Jadid
Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain...
Akko
The Akko typeface family is the first new design from Akira Kobayashi in a very long time – and it is well worth the wait. Picture an industrial strength typeface like the Isonorm™ design....
Agrafie Alexie
Alexie was developed by Roland John Goulsbra in 1994. In this font, Goulsbra combined letter and pictogram to create a font particularly suited for unconventional text designs and text interpretations.