font_shop: MyFonts

Ruse

Ruse font

Village

Village font

Frederic Goudy’s Village typeface was originally used exclusively for his Village Press publications. Designed in 1903, Village is a Venetian book face with sturdy, open forms. Steve Matteson digitized this typeface from books printed...

Wessex

Wessex font

Initially conceived by Matthew Butterick as a Bulmer revival, Wessex took on characteristics of Baskerville and Caledonia as design proceeded. In 1938, W.A. Dwiggins had taken the hard necessities of the non-kerning line-caster italic...

Barefoot

Barefoot font

Suppose you were at a sandy beach and you wanted to write a message by making footprints in the sand. You might end up with letters much like those in Barefoot, a typeface made...

BetterEuroika

BetterEuroika font

In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Although the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used...

BetterIngriana

BetterIngriana font

In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Though the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used...

Tasse

Tasse font

Tasse can be seen as a straight-sided Futura, a design useful wherever Futura and its derivatives might apply. Developed from Topic, also known as Steile Futura, it is a letterform that Paul Renner himself...

ArgentaBobbed

ArgentaBobbed font

ArgentaBobbed is an informal, “hand-printing” font with little balls that some people, often children, like to add to the ends of strokes. Maybe it could be called a ball-serif or dot-serif font. The family...

Talon

Talon font

Talon is a display design from the hand of Richard Lipton. The seed of the idea was a handful of characters drawn by the Los Angeles graphic designer Margo Chase. From this scattering of...

Sloop

Sloop font

Sloop offers the adventurous typographer wide choices of variant forms in three weights of a classically elegant script. Richard Lipton suggests setting text lowercase in Sloop One or Two, capitals in One or Three,...