Richard Lipton designed Shogun as a six-part headline series, three weights in regular and extended widths. He began with a few almost oriental characters from a striking contemporary logotype designed by Los Angeles graphic...
by Staff · Published May 26, 2015
· Last modified October 12, 2015
Showcard Gothic leans from the page to forcefully present any idea you might have – except possibly classical subtlety – with a certain leering emphasis. Derived from the showcard models prepared for lettering artists...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
Early in the 20th century, American commercial lettering took on a new vitality, paralleling the formalities of typography while embellishing and sometimes mocking them. The bible of this trade is probably William Hugh Gordon’s...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
This font invites you to play with it. The Real version has longer tails, while the Roman version cuts them up to make the font more suitable for text. The Script version connects the...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
CA Viva Las Vegas is a fine light bulb font inspired by signage of concert halls of the 70s when Elvis was playing in Las Vegas. Two different styles (NIGHT and DAY) and 4...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Silver Script is a free-flowing and refined script typeface. Elegant and informal is a combination not easy to capture, but Silver Script fits that description nicely. Use the regular lowercase characters in combination with...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Desiring to create a scrapbooking font, I based Sweet Pea loosely on my own handwriting. The characters don’t sit on the baseline but tend to rise above or below it, giving a casual, handwritten...
by Staff · Published May 26, 2015
· Last modified October 2, 2015
At last, an ultra-atomic connected script for the new millennium, brought to us from the fifties by Leslie Cabarga. He based this cool font on logos from the second wave of the all-American diner,...
by Staff · Published May 26, 2015
· Last modified October 14, 2015
Impressed with the strength and the clarity of John Downer’s personal “thick/thin” signwriting style, a fitness magazine commissioned a single weight of Roxy in 1990 to stress its headlines. Mildly compact widths and moderate...