ITC Abaton
ITC Abaton, by Argentinian designer Luis Siquot, is an exercise in geometry and simplification. “It is done,” says Siquot, “with few elements, with modules of only straight lines (horizontals, verticals and diagonals of almost...
font_shop: MyFonts
ITC Aftershock
Bob Alonso’s Aftershock was designed to resemble woodcut or linocut lettering; its irregular shapes make it stand out from its background. Dominant features of this typeface are its generally square forms and its emphasized...
CoughingNails
CoughingNails is a letterbat font composed of cigarettes and an occasional match.
Crippled Font
Its name, CrippledFont, might lead you to think that this font was missing important characters. It is not. Rather it is a letterbat font composed of crutches and canes. It is caps only, with...
Cennerik
Cennerik is a plain, sans-serif typeface with rounded ends. It comes in five weights: light, regular, semibold, bold, and extrabold and each weight has both upright and italics styles.It was originally designed in 1992...
ChainLetter
In the two ChainLetter fonts all characters are made from chains links. ChainLetter uses smaller chain links than ChainLetterAlt and as a result is easier to read. Both are caps-only typefaces, but some of...
BuggyFont
AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.
Village
Frederic Goudy’s Village typeface was originally used exclusively for his Village Press publications. Designed in 1903, Village is a Venetian book face with sturdy, open forms. Steve Matteson digitized this typeface from books printed...
Wessex
Initially conceived by Matthew Butterick as a Bulmer revival, Wessex took on characteristics of Baskerville and Caledonia as design proceeded. In 1938, W.A. Dwiggins had taken the hard necessities of the non-kerning line-caster italic...