The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one’s desire for eccentricity, just like tea with bromine. It would,...
by · Published May 26, 2015
· Last modified May 17, 2024
At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous sans-serif scheme. They started with...
by · Published May 26, 2015
· Last modified October 14, 2015
Excelsor Script is inspired by lithographically produced scripts. It is softer and simpler than, for example, engraved Splendid Script, because its designer used pens and lithographic needles. The graver for steel is held in...
by · Published May 26, 2015
· Last modified May 17, 2024
Originally designed in 1998 as a 3-font family, updated in 2016 by new italics, small caps and many OpenType functions, resulting in a set of highly visible poster typefaces. If a text is set...
by · Published May 26, 2015
· Last modified October 16, 2015