The typeface Modernistic, designed by Wadsworth A. Parker for American Type Founders in 1927, provided the design cues for this typeface which, unlike the original, includes lowercase letters. Best used sparingly for dramatic and...
by · Published May 26, 2015
· Last modified May 18, 2024
Move over, Archie Bell! Here’s a family of fonts designed specifically to be set big and tight. Three basic styles — round serif, square serif and oldstyle — with variants in weight and width....
by · Published May 26, 2015
· Last modified May 18, 2024
A new take on the classic font Bodoni, revealing the structural elements of the font, and adding a little sparkle with a pseudo-stencil treatment. The font is named in honor of its original designer...
by · Published May 26, 2015
· Last modified May 18, 2024
One of countless variations possible from the modular lettering system called “Super Veloz”, developed by Spanish type designer Joan Trouchut-Blanchard in the 1930s. The name is a play on the old G.I. acronymn FUBAR,...
by · Published May 26, 2015
· Last modified May 18, 2024
A whimsical monoline slab-serif font with understated elegance, based on lettering from an old ad discovered by a friend in Spain. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode...
by · Published May 26, 2015
· Last modified December 27, 2022
The two styles in the Lowery Auto font family are designed to work separately or overlapped. The Fill style was created to facilitate layouts on a non-white background, but is a useful font in...
by · Published May 26, 2015
· Last modified May 19, 2024
This typeface came about when playing with felt tip marker settings in Corel Painter and is derivative of my own handwriting. Up until Workstation Clutter, all of my fonts were designed on paper, then...
by · Published May 26, 2015
· Last modified December 27, 2022