Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a...
by · Published May 26, 2015
· Last modified December 27, 2022
The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why...
by · Published May 26, 2015
· Last modified December 27, 2022
Here’s a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don’t recommend it...
by · Published May 26, 2015
· Last modified May 18, 2024
The PIXymbols™Baby Blocks font is designed to create both single color, and two-color titles or initials. Each package includes a document showing the full character set with key codes. The font package includes both...
by · Published May 26, 2015
· Last modified May 18, 2024
The PIXymbols™DecoGlass font is designed to create black (or single color), and two-color titles, initials as well as decorative characters. It is available in a choice of two weights. Each package includes a document...
by · Published May 26, 2015
· Last modified December 27, 2022
Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century...
by · Published May 26, 2015
· Last modified December 27, 2022
This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more...
by · Published May 26, 2015
· Last modified December 27, 2022
This was put together by Dan X. Solo to provide a quick way to set headings for a circus brochure. The name was given in recognition of the Baraboo Circus Museum. The end pieces...
by · Published May 26, 2015
· Last modified December 27, 2022
One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.