The two styles in the Lowery Auto font family are designed to work separately or overlapped. The Fill style was created to facilitate layouts on a non-white background, but is a useful font in...
by · Published May 26, 2015
· Last modified May 19, 2024
This typeface came about when playing with felt tip marker settings in Corel Painter and is derivative of my own handwriting. Up until Workstation Clutter, all of my fonts were designed on paper, then...
by · Published May 26, 2015
· Last modified May 19, 2024
Somewhat of a mongrel, this font combines uppercase letters from an oriental font designed by Paul Carlyle and Guy Oring in 1938, and lowercase letters based on yet another variant of Joan Truchut-Blanchard’s Super...
by · Published May 26, 2015
· Last modified May 18, 2024
My affection for Slab Serifs began in the early 1960s in Kansas City when Rob Roy Kelly was at the Kansas City Art Institute, teaching and writing his book on American Wood Type. I...
by · Published May 26, 2015
· Last modified May 18, 2024
Wyvern is a dignified sans-serif typeface with high x-height and short descenders that is inspired by the classic, clean lines of vintage typewriters and daisy wheel printers. It’s proportionally spaced and compact, with clean...
by · Published May 26, 2015
· Last modified December 27, 2022
A heavy duty block-shadow font derived from Sentinel Sten Type, Maus’ inflexible, near-featureless block-like shapes give the impression of great mass and solidity. Maus is an example of minimalism in type design, using a...
by · Published May 26, 2015
· Last modified December 27, 2022
Bringing a renewed spirit to its type, machine fonts never looked this futuristic, or had such a striking high impact effect. Sten’s profuse linear abstraction and folded stencil design grab the eye’s attention, while...
by · Published May 26, 2015
· Last modified May 19, 2024