Lewis F. Day, in his book Alphabets Old and New, offered this typeface as an example from sixteenth-century England of lettering incised in wood. The font is essentially monocase, but there several lowercase letters...
by · Published May 26, 2015
· Last modified May 18, 2024
It’s Zalderdash, the campy Clarendon. This silly slab-serif typeface uses automatic character substitution to create a boisterous, bouncy impression. Most Latin-based European writing systems are supported, including the following languages. Afaan…
by · Published May 26, 2015
· Last modified December 27, 2022
AlphaCharlie started as an experiment. But once I had a couple of letters, I thought it looked very interesting. So I just designed the whole set. Yours experimentally, Gert Wiescher
by · Published May 26, 2015
· Last modified December 28, 2022
Seasoned Hostess is a perfect blend of playful penmanship meets ink lettering! This fun and sophisticated casual script will be certain to make their mouths water!
by · Published May 26, 2015
· Last modified December 28, 2022
Gaia is the first dingbat series made by Ricardo Esteves Gomes. Each glyph in this font was designed to be used as single forms or as graphic pattens. When repeated several times, they create...
by · Published May 26, 2015
· Last modified May 18, 2024
Ross F. George, the lettering wizard behind many an edition of Speedball lettering books, called this quirky creation “Spatter and Spot Roman”. In this version, the spatters go, but the spots remain, and a...
by · Published May 26, 2015
· Last modified May 18, 2024
Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the...