Vandermark
Vandermark began as a simple daydream of what became the ‘n’ glyph. I considered the elegant balance of a terminal stroke that would never join its supporting stem. The premise was simple, but further...
font_shop: MyFonts
Urbix
The best of both worlds: good for small screen resolutions and nice output at larger sizes.
Urbox
The best of both worlds: good for small screen resolutions and nice output at larger sizes.
Cusp
Cusp is a display font that was initially inspired by austere Art Deco lettering. After the capitals were refined, then the lowercase was designed with a bit of techno flair. From these basic letterforms...
Kurly
I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.
Soap
Soap is a captivating unicase headliner which looks like Cooper Black but even smoother. You’d think the original typeface was laid-back and cool enough, but Soap takes it to the next level. It’s spaced...
Red Tape
Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course...
Singapur
Collect all flashes!
Everafter
There are no straight lines in Everafter. The vectors were all drawn and tweaked by hand (and mouse) for a softened, wobbly appearance. The result is a naive serif type that doesn’t take itself...
Fatty
Fatty is based on the lettering in a series of silkscreened posters by my friend Chris May. Upon transforming it into a full-fledged digital font, I developed alternate letterforms for the lowercase. The bloated...