font_shop: MyFonts

Weird Bill

Weird Bill font

Weird Bill is Squid’s tribute to his most prominent influence, Bill Campbell, model kit box illustrator extraordinaire and creator of the Weird-Ohs!. Bill’s series of goofy monster model kits in the early 1960s was...

Nicole

Nicole font

Steel Sedan

Steel Sedan font

The Steel Sedan family is tailor-made for fitting lots of information into tight spaces, with grace and slab serifs that mean business. Take it for a spin on your headlines, banners, and websites.

Welcome

Welcome font

This is another of those early 20th century, post art nouveau types from Europe. Probably German.

CamingoDos

CamingoDos font

CamingoDos is characterised by tight shapes, elliptical curves, subtle contrast and a strong, humanistic appearance: attributes that were all applied with particular care and attention for legibility. It comes in a wide range of...

CamingoDos Condensed

CamingoDos Condensed font

CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited...

CamingoDos SemiCondensed

CamingoDos SemiCondensed font

CamingoDos SemiCondensed fills the gap between CamingoDos and CamingoDos Condensed and combines them to a homogeneous and versatile type family. The flexibility of the semi-condensed version makes it a typographic all-rounder. On the one...

Biscuit Boodle

Biscuit Boodle font

Biscuit Boodle is a fun and uplifting script from Portland Studios Illustrator Justin Gerard. The characters are brush drawn with a slight texture. The font comes packed with OpenType alternates and ligatures. Included are...

Colonial Press

Colonial Press font

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type...

Hearst Italic

Hearst Italic font

Carl Schraubstadter of the Inland Type Foundry probably had more to do with the design of this italic than he did with the roman. Great for Craftsman Era projects.