BaselSans is a discrete, legible typeface, inspired by the international typographic style, with a humanistic touch. It is suitable for many uses, from small size texts to large titles.
by · Published May 26, 2015
· Last modified December 28, 2022
The font “Newsletter Stencil” is based on the font family Newsletter which is to be published by die Typonauten. During the toilsome development of this font family it was a pleasure to destroy the...
by · Published May 26, 2015
· Last modified December 28, 2022
The message gets torn apart in between the TV screen and the teleprompter; only two halves result in one new whole thing: A new image, a new text. The idea for the font Teletron...
by · Published May 26, 2015
· Last modified May 19, 2024
What if the Ramones had been fontdesigners, would the result have looked like this? Probably not. And {ths} is not the Ramones, he probably doesn’t even know them because constantly listens to Elvis, or...
by · Published May 26, 2015
· Last modified May 19, 2024
Cape Arconas legendary obsession to create a DIN-like font substitution brings us to CA BND, named after the German Intelligence Agency. Thomas Schostok created the font for the new CI of the Intelligence Agency,...
by · Published May 26, 2015
· Last modified December 28, 2022
When there is no picture of a “most wanted” or “Missing Persons”, photofit pictures are used. Once drawn by hand, they are now more and more substituted by photomontage. The personality is created with...
by · Published May 26, 2015
· Last modified December 28, 2022
Designer Panos Vassiliou created Square Sans Pro in his quest for a true square-like text typeface which could balance simplicity with vitality and enhance with its subtle power the identity of any product or...
by · Published May 26, 2015
· Last modified December 28, 2022
Rick Bradley – known for his Fine Hand, Bible Script, Bradley Hand and Calligraphic Ornaments – drew this font from a gravestone in Ashbourne, Derbyshire, dated 1241. The irregularity lends a special charm to...
by · Published May 26, 2015
· Last modified December 28, 2022
A delightful latter-day reworking of the Lombardic ideal, provided here with the main letter and the background illumination separated so that they can be given different colors on different layers, and given different effects...