Sans-serif typefaces compensate for their basic handicap – an absence of serifs – with a softening modulation typical of roman typefaces. Grotesques often inherit a hypertrophy of the x-height, which is very efficient, but...
by · Published May 26, 2015
· Last modified December 28, 2022
La plupart des fontes “script” tentent de reproduire l’écriture humaine et se heurtent au problème suivant: la lettre tracée à la main n’a pas la méme forme suivant la lettre qui la précède ou...
by · Published May 26, 2015
· Last modified December 27, 2022
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs...
by · Published May 26, 2015
· Last modified May 15, 2024
Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the...
by · Published May 26, 2015
· Last modified March 28, 2025
This font was inspired by the very well-known humanistic script called “Cancellaresca”. This variant was used by a lot of calligraphers in the late 1400s, specially by the Venetian Giovannantonio Tagliente, whose patterns were...
by · Published May 26, 2015
· Last modified December 28, 2022
Created in 2009 by V.H. Fleisher, Monod Brun is a geometric sans-serif typeface. The font has OpenType features that can be accessed in programs like the Adobe Creative Suite. These features include tabular lining...