LD Baskin Sundae is as cute as it can be, and versatile too! Use this font to make perfectly designed layouts …you know, you can complete your paper or scrapbooking creation in minutes!
by · Published May 26, 2015
· Last modified December 28, 2022
Bella, the heroine, comes to life with this one of a kind font. LD Bella, is great for journaling, adorning memories or adding the final touch to your projects.
by · Published May 26, 2015
· Last modified May 18, 2024
A rather droll unicase typeface, discovered in a 1970s chapbook of suggested lettering for Soviet propaganda posters, inspired this bouncy beauty. Way more fun than a barrel of Volga Boatmen. The PC Postscript, Truetype...
by · Published May 26, 2015
· Last modified December 28, 2022
Polynesiac was discovered deep in the jungle on a cave wall on Gilligan’s Island. “I was looking for ancient pictographs, and I find this crap instead!” says designer Wesley Poole. “But, the more I...
by · Published May 26, 2015
· Last modified May 18, 2024
This robust, roly-poly typeface is patterned after a 1974 release from the Ludwig & Mayer foundry of Frankfurt am Main named Big Band, and designed by Karlgeorg Hoefer. The type color is even darker...
by · Published May 26, 2015
· Last modified May 18, 2024
An offering from Barnhart Brothers & Spindler’s Catalog No. 9 from 1907, with the rather prosaic name of “Lining Gothic No. 71”, inspired this non-nonsense and surprisingly ageless face. As versatile as it is...
by · Published May 26, 2015
· Last modified May 18, 2024
In 1936, Erich Mollowitz designed a typeface named »Rheingold Kräftig« for the German type foundry J. D. Trennert & Sohn (Hamburg-Altona). The original letterforms have been extended and beefed up a bit, and the...
by · Published May 26, 2015
· Last modified October 14, 2015
Ecstrat is not a ‘serious’ typeface, but a contemporary version of ornamented ‘flowered’ letters of the eighteenth century, like those of Pierre-Simon Fournier le Jeune and Jacques-François Rosart. Only in capitals: its use is...
by · Published May 26, 2015
· Last modified October 2, 2015
Glovis is a ‘typewriter’ font — meaning monospaced (all characters use the same width) — and is also italic. But the italic style was originally created to take less space than roman: its letters...
by · Published May 26, 2015
· Last modified October 6, 2015
Goupil is based on baroque proportions letters. But, it can only be read through its thin shadows. So, Goupil is a light face, for refined and aerial titles. Titling face does not necessary mean...