Baby Cakes NF
This robust, roly-poly typeface is patterned after a 1974 release from the Ludwig & Mayer foundry of Frankfurt am Main named Big Band, and designed by Karlgeorg Hoefer. The type color is even darker...
font_shop: MyFonts
Cerulean NF
An offering from Barnhart Brothers & Spindler’s Catalog No. 9 from 1907, with the rather prosaic name of “Lining Gothic No. 71”, inspired this non-nonsense and surprisingly ageless face. As versatile as it is...
Jaunty Gent NF
In 1936, Erich Mollowitz designed a typeface named »Rheingold Kräftig« for the German type foundry J. D. Trennert & Sohn (Hamburg-Altona). The original letterforms have been extended and beefed up a bit, and the...
Rimshot NF
A rather droll unicase typeface, discovered in a 1970s chapbook of suggested lettering for Soviet propaganda posters, inspired this bouncy beauty. Way more fun than a barrel of Volga Boatmen. The PC Postscript, Truetype...
Polynesiac
Polynesiac was discovered deep in the jungle on a cave wall on Gilligan’s Island. “I was looking for ancient pictographs, and I find this crap instead!” says designer Wesley Poole. “But, the more I...
Ecstrat
Ecstrat is not a ‘serious’ typeface, but a contemporary version of ornamented ‘flowered’ letters of the eighteenth century, like those of Pierre-Simon Fournier le Jeune and Jacques-François Rosart. Only in capitals: its use is...
Glovis
Glovis is a ‘typewriter’ font — meaning monospaced (all characters use the same width) — and is also italic. But the italic style was originally created to take less space than roman: its letters...
Goupil
Goupil is based on baroque proportions letters. But, it can only be read through its thin shadows. So, Goupil is a light face, for refined and aerial titles. Titling face does not necessary mean...
Stockmar
Long-time work of a revival of a baroque font of 1720, after Johann Rudolf Genath II, Stockmar was primarily designed with three italics (more or less geometrical, cursive, dynamic). This work and details can...
Brazil Pixo Reto
In Brazil, young people sign their gang names on the top of São Paulo City buildings. Their letters are tall and structured just like the buildings that they have to scale. For them, typography...