Xmas
Christmas cookies have already slowly crept onto your local supermarket’s shelves — the Linotype Xmas Fonts just can’t wait any longer! Ravishingly friendly and universally applicable: Fuenfwerken — a design studio from Wiesbaden, Germany...
font_shop: MyFonts
Agilita Com
Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather...
Midan
Midan, designed in 2005 by Kameel Hawa, director of Almohtaraf Assaudi, is a modern Arabic typeface based on simplified Naskh with a slightly modulated stroke treatment. It is suited for text settings, especially in...
OCR A Tribute
OCR-A was originally designed in 1968 as a machine-readable alphabet. Its functionality was its most important element, instead of its design. Over the following decades, the typeface has become popular in the design world...
Stencil Moonlight
Latvian designer and educator Gustav Grinbergs created Stencil Moonlight as an attempt to slightly lighten up the stencil type scene. Intended as a lively, semi-formal face, its shapes are smooth and compact. It leaves...
Sultan Free
Sultan Free, designed by Sultan Maktari in 2005, is a freestyle Ruqaa and a winner in Linotype’s first Arabic Typeface Design Competition. The design is open, calligraphic, and very dynamic. This makes it suitable...
Sultan Nahia
Sultan Nahia, designed by Sultan Maktari in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold. This makes it suitable for...
Liga Sans
The German designer Alexander Dosiehn developed the Liga Sans type family as part of his graduate thesis at the Fachhochschule Düsseldorf in 2001. Liga Sans is a sans serif typeface that acts as a...
Linotype Mega
Linotype Mega is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The fun schrift of German designer Till F. Teenck...
Shockwave
I’m always experimenting with new ideas for display fonts. I took the inside counter of a capital ‘O’, divided it into quarters, and applied an outline stroke to all the elements. By removing two...