Area hearkens back to the disco era, reminiscent of nightclub and record advertising. The rounded simple forms are updated with the implementation of negative kerning, which gives the typeface its unique look and modern...
by · Published May 26, 2015
· Last modified December 28, 2022
Toying with antiquity in two realms, Brea uses primitive dot matrix, the first electronic print, as a medium for expressing a once intensely manual Old English hand. These incongruous historical allusions update the Middle...
by · Published May 26, 2015
· Last modified October 5, 2015
A basic rounded sans-serif with a twist, Granule is tightly kerned to emphasize the rhythm of the letterforms, with a distinctive curl on a few of the lowercase letters to separate it from the...
by · Published May 26, 2015
· Last modified December 27, 2022
Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast.Two main groups are Mode 0 (with rounded shapes)...
by · Published May 26, 2015
· Last modified October 1, 2015
Taking an almost banal, ubiquitous letter shape – the geometric sans-serif – Pea gleefully plays with contradictions by rendering it using elaborate calligraphic swashes. Both worlds are given equal prominence, the overly ornate special...
by · Published May 26, 2015
· Last modified May 13, 2023
I wanted to combine a classical antiqua with corners and edges. I was convinced this combination would create a new, a fresh design of types. At the beginning I used the forms from “Goudy...
by · Published May 26, 2015
· Last modified September 4, 2015