Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Smallstep – One geometric sans serif with a free spirit. If we presume that geometric typefaces play with the idea of what typography would look like in the future when all unnecessary elements would...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The challenge was to create a single typeface weight that was versatile enough without a large font family, and could be put to use with a variety of media formats, from book text to...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This engaging slab serif face made its debut in the 1906 ATF specimen catalog, and wears well over a century later. Its warm lines and a wide stance ensure that your headlines will be...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This cheerful charmer is based on Glass-Antiqua, designed by Franz Paul Glass for the Genzsch & Heyse foundry of Hamburg in 1912. Great for engaging headlines with a playful twist. Both versions feature the...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Richard J. Bradley – known for his Fine Hand, Bible Script, Bradley Hand and Calligraphic Ornaments – drew this font inspired by the calligraphy of the Welsh artist and poet David Jones (1895-1974), who...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Peter Schoeffer was a printer who was apprenticed to Gutenburg and after leaving Gutenburg in 1455 he set up shop with Facob Fust. His son, Peter the Younger, moved to Mainz and carried on...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and ‘fraktur’ alphabets (from Latin ‘fractura’, meaning that it’s broken up with...