Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Smallstep – One geometric sans serif with a free spirit. If we presume that geometric typefaces play with the idea of what typography would look like in the future when all unnecessary elements would...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The challenge was to create a single typeface weight that was versatile enough without a large font family, and could be put to use with a variety of media formats, from book text to...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This engaging slab serif face made its debut in the 1906 ATF specimen catalog, and wears well over a century later. Its warm lines and a wide stance ensure that your headlines will be...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This cheerful charmer is based on Glass-Antiqua, designed by Franz Paul Glass for the Genzsch & Heyse foundry of Hamburg in 1912. Great for engaging headlines with a playful twist. Both versions feature the...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A new font in the Humanistic tradition, for letters, poetry, display graphics – and just to make the everyday more elegant. This family of fonts has four members: the basic plain font has regular...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
It’s 100 years since Edward Johnston proposed the two mediaeval styles uncial and half-uncial to reintroduce handwriting as an enjoyable experience of beauty – calligraphy. Here his hand-written forms are adapted for print and...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Richard J. Bradley – known for his Fine Hand, Bible Script, Bradley Hand and Calligraphic Ornaments – drew this font inspired by the calligraphy of the Welsh artist and poet David Jones (1895-1974), who...