font_shop: MyFonts

Impara

Impara font

Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for...

Cul De Sac

Cul De Sac font

Cul De Sac is a beautiful cartoon-like font. It was hand drawn, using an old fashioned pen and India ink. Use it for your ads, posters and websites.

Smallstep Pro

Smallstep Pro font

Smallstep – One geometric sans serif with a free spirit. If we presume that geometric typefaces play with the idea of what typography would look like in the future when all unnecessary elements would...

Battleslab

Battleslab font

Battleslab is a slab serif made for setting few words in large sizes. Two heavily contrasted weights work well when combined, with its mono-line wide light and heavy black it is perfect for making...

Diphthong

Diphthong font

The challenge was to create a single typeface weight that was versatile enough without a large font family, and could be put to use with a variety of media formats, from book text to...

Boston Breton NF

Boston Breton NF font

This engaging slab serif face made its debut in the 1906 ATF specimen catalog, and wears well over a century later. Its warm lines and a wide stance ensure that your headlines will be...

Half Full NF

Half Full NF font

This cheerful charmer is based on Glass-Antiqua, designed by Franz Paul Glass for the Genzsch & Heyse foundry of Hamburg in 1912. Great for engaging headlines with a playful twist. Both versions feature the...

Sonnet Script

Sonnet Script font

Richard J. Bradley – known for his Fine Hand, Bible Script, Bradley Hand and Calligraphic Ornaments – drew this font inspired by the calligraphy of the Welsh artist and poet David Jones (1895-1974), who...

Schoeffer

Schoeffer font

Peter Schoeffer was a printer who was apprenticed to Gutenburg and after leaving Gutenburg in 1455 he set up shop with Facob Fust. His son, Peter the Younger, moved to Mainz and carried on...

Albrecht Fraktur

Albrecht Fraktur font

In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and ‘fraktur’ alphabets (from Latin ‘fractura’, meaning that it’s broken up with...