Here’s a workmanlike interpretation of John Pistilli’s eponymous extreme Didone, originally designed for VGC in the 1970s. The typeface’s strong contrasts and graceful nuances guarantee that your headlines will get noticed. Both versions of...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, making it a perfect choice...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Another tip of the hat to master draftsman Samuel Welo. His famous Studio Handbook was hand-lettered throughout, and provided the inspirations for many of Nick’s favorite fonts. This little number is based on the...
by Staff · Published May 26, 2015
· Last modified May 13, 2023
Green On Green is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Green On Green has an uppercase alphabet, numbers, and punctuation....
by Staff · Published May 26, 2015
· Last modified May 13, 2023
What a nice tranquil feeling you get from the wide forms of this font. The air of spontaneity was the most important thing about developing Rifleman. The forms were carefully and slowly constructed and...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
This typeface made its first appearance in Schelter & Giesecke’s 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace notes that...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Caturrita Display is a new version of Caturrita. Better for titles and small pieces, with a large contrast in the heavy weights. It preserves the same structure of Caturrita, but with a more calligraphic...
by Staff · Published May 26, 2015
· Last modified December 28, 2022