Permanence is a retro-futuristic typeface, inspired by the original cover of Alvin Toffler’s trailblazing hardcover: Future Shock (1970). Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar…
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The Arco Dot font features an exciting texture of dots in matching complimentary styles, making cool designs easy! Arco Dot features extended characters, and contains West European diacritics & ligatures. Highly suitable for international…
by Staff · Published May 26, 2015
· Last modified April 27, 2020
The font family includes: Armenian, Cyrillic, and Latin alphabet systems. Containing styles: Light, Light Italic, Regular, Italic, Medium, Medium Italic, DemiBold, DemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy…
by Staff · Published May 26, 2015
· Last modified April 27, 2020
The font family includes: Armenian, Cyrillic, Greek and Latin alphabet systems. Containing styles: Ultra Light, Ultra Light Italic, Extra Ligt, Extra Ligt Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, DemiBold, DemiBold…
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Ammurapi was the last king of Ugarit, which was destroyed circa 1200 B.C. Back then all writing was done by hand and all that has been preserved is on clay tablets many of which...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
It’s cool to be square. Among the many strange attempts to conceal writing, these two systems allegedly used by the Masons have a wonderful simplicity and relative ease of use. Both systems, the Rosicrucian...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Headliner No. 45 is an ode to the 1940’s-era news headline. The Headliner No. 45 Family is simply two fonts: Regular & Italic. Headliner No. 45 has a very classic look to its features;...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a faithful rendering of a typeface originally named Octic, from the 1884 specimen book of the Palmer & Rey Type Foundry of San Francisco. Its geometric severity is softened by the gently scalloped...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
The inspiration for this typeface—originally called Elefanta—enjoyed popularity stateside in the late nineteenth century, an import from the Karl Brendler & Söhne foundry of Vienna. Its graceful yet playful elegance makes it suited for...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A typeface from the 1873 Miller & Richard of Glasgow specimen book of 1873 named Cuban provided the inspiration for this festive face. Its graceful curves and open stance gently whisper nostalgia, with traces...