QuadratishSerif is an interesting ultra black type design with serif, that contains both solid and outlined lettering styles. A third design style can be created when combining the two styles over top of each...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Based upon Riedingerschrift, cut by Franz Riedinger for Benj. Krebs Succ. in Frankfurt am Main in 1906, here come Ridinger Std and its extended version, Ridinger Pro. An elegant cursive font which also includes...
by Staff · Published May 26, 2015
· Last modified April 27, 2020
The font family includes: Armenian, Cyrillic, and Latin alphabet systems. Containing styles: Light, Light Italic, Regular, Italic, Medium, Medium Italic, DemiBold, DemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy…
by Staff · Published May 26, 2015
· Last modified April 27, 2020
The font family includes: Armenian, Cyrillic, Greek and Latin alphabet systems. Containing styles: Ultra Light, Ultra Light Italic, Extra Ligt, Extra Ligt Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, DemiBold, DemiBold…
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Ammurapi was the last king of Ugarit, which was destroyed circa 1200 B.C. Back then all writing was done by hand and all that has been preserved is on clay tablets many of which...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
It’s cool to be square. Among the many strange attempts to conceal writing, these two systems allegedly used by the Masons have a wonderful simplicity and relative ease of use. Both systems, the Rosicrucian...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Headliner No. 45 is an ode to the 1940’s-era news headline. The Headliner No. 45 Family is simply two fonts: Regular & Italic. Headliner No. 45 has a very classic look to its features;...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This stately typeface takes its inspiration from Erbar Medieval, designed by Jakob Erbar for the Ludwig & Mayer foundry of Frankfurt am Main, released in 1914. Equally at home in headlines or text blocks,...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Here’s a faithful rendering of a typeface originally named Octic, from the 1884 specimen book of the Palmer & Rey Type Foundry of San Francisco. Its geometric severity is softened by the gently scalloped...