Beeching is a family of six typefaces designed to combine extreme legibility with a hint of retrospective character. It is inspired by the lettering used in the Leslie Green designed stations of the London...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Originally drawn as a rebranding proposal for a fashion house, Oban takes inspiration from Thorowgood types and from sample books of wood cut fonts from the late nineteenth century, with their spirited and expressive,...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
This small family can be counted as 4 fonts in 2. Because both weights contain small caps, 12 sets of stylistic alternates, and a decorative swashed form. That’s not counting dozens of ligatures in...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Aspic was inspired by the handwriting and drawings of Robert Blechman. Although informal, squiggly and even sloppy, Blechman’s work communicates a quiet dignity which this font aspires to.
by Staff · Published May 26, 2015
· Last modified December 27, 2022
As with all our typefaces, we are searching for a point of difference, something that separates them from their surroundings. The idea of a seriffed script typeface is interesting, as the two are very...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
WOLFSZN Anniversary! WOLFSZN is the tenth Font of André Toet. The inspiration for this capital alphabet came from the trails of an agricultural machine (think tractor) leaves in the soil after working the land....
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Ashbury derives its inspiration from 18th century transitional types such as Caslon and Baskerville. It is, however, not a revival but interprets formal aspects in a new and individual fashion. With a flowing outline,...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
A typeface designed for Another Man magazine. A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular – a ‘standard’ alphabet; Upper Lower – where upper case characters are replaced...
by Staff · Published May 26, 2015
· Last modified December 27, 2022