font_shop: MyFonts

Style Script

Style Script font

No word describes this font better than STYLE… TypeSetIt has taken things just a step further. It takes the look and simplicity of 1950s and 60s advertising and combines it with up to date...

Canapé

Canapé font

Canapé is based on the idea of letters with a subtly curved and slightly modulated line. Through this, the typeface has a warm and friendly, almost haptical appearance which brings some kind of cosiness...

Headlined Solid

Headlined Solid font

Where Headlined creates bold statements, Headlined Solid states facts. Simple, sans serif and steady as a rock, Headlined Solid does what needs to be done, no more and no less. For pragmatism and clarity...

Courtney

Courtney font

Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also...

Tant Lilian

Tant Lilian font

A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century. Accented letters for Western languages are included.

Tant Ulla

Tant Ulla font

An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Accented letters for Western languages are included.

Varvid

Varvid font

The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th...

Zigfrid

Zigfrid font

The Zigfrid family was made after my visit to Deutschland and impression of old typography on the streets of Berlin. Zigfrid contains 5 different styles with a geometric, “trendlist” feel.

Tant Ingrid

Tant Ingrid font

A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. Accented letters for Western and Central European languages are included.

Vibertus

Vibertus font

A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry. The capitals are heavier...