The American Typefounders 1893 specimen book included the pattern for this face, originally called Pontiac. Its subtle idiosyncrasies make it warm and inviting. Both versions of this font support the Latin 1252, Central European...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
by Staff · Published May 26, 2015
· Last modified May 18, 2024
That she blows! Another disco-era delight, this typeface is based on an Affolter and Gschwind release called Moby Dick. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This engaging headline face is based on a rather pudgy typeface named “Bullion Shadow”, which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This naïve script was discovered in a French printers’ magazine from 1927. Its total lack of pretension makes it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250,...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A playful Art Deco face from master penman Samuel Welo is combined with design elements used in 1930s signage to create this architectural face. End caps are created with {brackets} and spaces with the...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A classic Art Nouveau face, originally known as either Domingo or Brillante. Its sinewy forms and narrow letterforms make it a natural choice for large, evocative headlines. Both versions of this font support the...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a classic face from Dutch master type designer Sjoerd H. de Roos. Use it where timeless elegance is the goal. Both versions of this font support the Latin 1252, Central European 1250, Turkish...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s an unusual take on a “modern” typeface, based on a 1936 release from England’s Stephenson, Blake foundry, which serves well for interesting headlines. Both versions of this font support the Latin 1252, Central...