font_shop: MyFonts

Sadness

Sadness font

Sadness is based on some experiments during Felix Braden’s stay at the Trier College of Design: “I played around with Fontographer’s blendfonts-feature (a type design tool to interpolate fonts and to minimize effort and...

Rude Slab Condensed

Rude Slab Condensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab

Rude Slab font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab Wide

Rude Slab Wide font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab SemiWide

Rude Slab SemiWide font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab SemiCondensed

Rude Slab SemiCondensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab ExtraWide

Rude Slab ExtraWide font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Rude Slab ExtraCondensed

Rude Slab ExtraCondensed font

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...

Burford Rustic

Burford Rustic font

Burford Rustic is the weathered and textured alternative to the Burford Family. It works the same way as Burford as a layer-based font family, but with some style variations and new layering options. It...

Merlo Round

Merlo Round font

Font Merlo Round is the younger brother of Merlo. Font Merlo Round is characterized by twelve different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by...