Sadness is based on some experiments during Felix Braden’s stay at the Trier College of Design: “I played around with Fontographer’s blendfonts-feature (a type design tool to interpolate fonts and to minimize effort and...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Burford Rustic is the weathered and textured alternative to the Burford Family. It works the same way as Burford as a layer-based font family, but with some style variations and new layering options. It...
by Staff · Published May 26, 2015
· Last modified December 29, 2022
Font Merlo Round is the younger brother of Merlo. Font Merlo Round is characterized by twelve different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by...