Handcraft
Handcraft is a handwritten script font. This font is ideal for any design project that needs a more handmade look. Handcraft is a great way to add a touch of handcrafted charm to your...
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MIR Next
MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality...
WOODTYPE Collection
WOOD TYPE COLLECTION from Mateusz Machalski is a set of wonderful, warm, and weathered hand made typefaces designed by Mateusz Machalski. The Inspiration for this collection comes from a wooden letter blocks and other...
SYN Nova
SYN NOVA is a digitisation project of SYN – futuristic typeface designed by Wojeciech Freudenreich, famous polish graphic designer. Our concept, besides giving it a digital form, was to expand the character set, design...
Engram
Engram (2015-2020) designed by Mateusz Machalski is a classical sans geometric family. This typeface is characterised by a lot of details, which gives it a friendly character. Scalable x height, rounded corners makes Engram...
Change Serif
Change Serif is a typeface family designed as a part of Mateusz Machalski’s PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic...
Alfabet
Alfabet is the result of over 3 years of work on a typeface inspired by Swiss and German designers & researchers. The main idea was to create a sans-serif with geometric and strong feeling....
Sigmund PRO
Sigmund PRO is a visual journey around Poland. The main style is inspired by the Polish road signage typeface – designed by Marek Sigmund. With the increase of weight, Sigmund turns into a geometric...
Yalla
Yalla was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the...
Afronaut
Afronaut was inspired by vernacular Latin & Arabic typography in in St. Louis (on Senegal-Mauretania Border, Africa). Geometric forms working well and contrasting with smooth, round elements. After reading “Afronautics – from Zambia to...