Sylphe Pro
Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West,...
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Turnier
G. G. Lange’s expressive italic ‘Derby’ with its calligraphic touch has come to life again. Carefully redrawn and extended for multilingual usage, ‘Turnier’ is an ideal font for ads, posters, book titles and much...
RMU Pittoreske
This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the...
RMU Manolo
Manolo was a Ludwig & Mayer in-house design from the beginning of the 20th century. Though more formal than many others, the design keeps its Art Nouveau air. This beautiful font was completely redrawn...
RMU Belvedere
RMU Belvedere is a revival of Heinrich Wieyncks design, which was released by Bauer in 1906. The font was completely redrawn and redesigned, and comes with a long s, two framing elements and two...
Rekord Antiqua
Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by...
RMU Trifels
RMU Trifels is a revival of Heinrich Wieynck’s great design which was released by Bauer in 1905. This beautiful Art Nouveau font comes with a long s and a historical form of the letter...
RMU Gong
Based upon an Arno Drescher design for Schriftguss, RMU Gong was freshly redrawn and redesigned and is intended for being a splendid font for headlines, subtitles, ads, posters etc.It comes with full sets of...
Senatsfraktur
Friedrich Bauer’s Senatsfraktur, coming in two styles, regular and bold, released by Genzsch and Heyse, Hamburg, in 1912, has come to life again.Both styles contain the traditional long s which can be accessed by...
RMU Bison
RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European...