Punten
Type designer Luc(as) de Groot has a large archive of lettering he drew by hand, often to accompany the quirky cartoons which he made in his visual diaries. Only a few of these alpahabets...
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JesusLovesYouAll
Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)’s case this has often meant...
Nebulae
Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)’s case this has often meant...
TheMix
“TheMix” is a semi-serif typeface with low-contrast – i.e., the differences between thin and thick strokes are not very pronounced. Yet the reference to writing with the broad-nibbed pen is still present, giving the...
TheAntiqua
Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua, an all-purpose text face whose name refers to...
TheSerif
TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also...
TheSans
TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.
Sun
Sun is a family of compact typefaces closer to old industrial-style American newspaper headlines than to Luc(as)’s other designs. The fonts also work in text, and have been used for corporate identity and editorial...
Koning Display
Koning transports high-contrast sans serifs into the present. Koning is the Dutch for king. Given the design’s elegance, this name should come as no surprise. It has been recognized with numerous awards: TDC Certificate...
Spiegel Sans
Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.