Irish Penny is based on the lettering from Percy Metcalfe’s beautiful and influential pre-decimal coinage of Ireland, the Barnyard Collection. The font is more monoline than is conventional for Irish insular styles, almost giving...
Londinia is a contemporary Roman typeface with clear, open shapes, a generous x-height, and streamlined serifs. Small serif-shaped cutaways and subtle incisions give a lift to congested corners. Each of the three weights of...
EXAMPLE is a workhorse neo-grotesque, an alternative for those seeking an ageless sans but wishing to avoid the ordinary choices. The basic weights (regular, italic, bold and bold italic) are clean, handsome and economically...
Many street nameplates in Britain use versions of Kindersley serif capitals designed by David Kindersley in the 1950s. K-Type Kindersley Sans is an unfussy alternative to the signage stalwart, perfectly suited to newer environments...
Curwen Sans is a monoline sans-serif dating from the early twentieth century. Though contemporary with Johnston’s Underground and Gill Sans, and emerging from the same artistic milieu, Curwen Sans was created solely for in-house...
K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner...
DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s....
TOPPLER is a top-heavy comic font, K-Type’s salute to nineties freebies such as Ben Balvanz’s Baby Kruffy, Comix Heavy from WSI, and Dave Bastian’s Startling. Unlike those glorious fonts-of-old, Toppler contains a complete repertoire...
SEXBOMB is a frolicsome display face, a hybrid of two styles inspired by the countercultural quality of the K-Type Zabars font. Sexbomb retains the sharp, bifurcated upper portion of Zabars characters, but lower portions...
Argot is inspired by condensed grotesque letterforms and would be a monolinear sans except for an unorthodox disparity between inner and outer shapes. Elegantly curved outlines contrast starkly with austere rectangular counters, suggesting a…