Shorai™ Sans balances the subtlety of traditional hand-drawn brushstrokes with clean, geometric outlines. An intellectual-looking sans serif, Shorai’s simplified letterforms and vast weight ranges provide creatives with a holistic branding solution…
by · Published March 21, 2022
· Last modified January 1, 2025
Shorai™ Sans balances the subtlety of traditional hand-drawn brushstrokes with clean, geometric outlines. An intellectual-looking sans serif, Shorai’s simplified letterforms and vast weight ranges provide creatives with a holistic branding solution…
by · Published March 21, 2022
· Last modified January 24, 2025
Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while...
by · Published March 21, 2022
· Last modified January 24, 2025
Named after the Florentine river which runs through the heart of the Italian Renaissance, Arno draws on the warmth and readability of early humanist typefaces of the 15th and 16th centuries. While inspired by...
by · Published March 21, 2022
· Last modified January 24, 2025
While designing Trajan, Carol Twombly was influenced by the style of carved letters produced by the Romans during the first century AD. Twombly completed the design, adding numerals and punctuation, as well as a...
by · Published March 21, 2022
· Last modified January 24, 2025
Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling...
by · Published March 21, 2022
· Last modified January 24, 2025
Designed for Adobe in 1993, Sanvito is an informal script face based on the designer’s handwriting. An almost upright, non-joining script, the Sanvito font family is useful where an informal feel is required in...
by · Published March 21, 2022
· Last modified January 24, 2025
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus...