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The 1927 beginner’s book for Shefte’s Rapid Course in Modern Piano Playing had its title hand lettered in a bold serif typeface that reflected some of the influences of the Art Nouveau era. This...

Toward the end of the 1920s, Art Deco influences were starting to creep into modern design. The hand lettered title on the cover of the1928 sheet music for “Fascinatin’ Vamp” not only embraced the...

F.W. Woolworth was once one of the giants of the variety store chains, along with the likes of Kress, S.S. Kresge, McCrory’s, Neisner Brothers, Ben Franklin and others. In 1960, the company brought out...

The 1910 sheet music for “In All My Dreams I Dream of You” had the title hand lettered in an eclectic sans serif that typified the free form Art Nouveau movement of the time....

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Eastport JNL is the interpretation by Jeff Levine Fonts’ of the classic Stymie Extra Bold (a/k/a Stymie Black), designed in 1931 for American Type Founders by Morris Fuller Benton. Stymie and the somewhat similar...

Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil...

An ad spotted in a 1964 issue of Billboard magazine with the words “STAND BACK…” introduced the first record album from then-new stand-up comedian Bill Cosby. The lettering of those two words was in...

Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning...

Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau...