Astrup
Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms...
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Begum Sans
Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long...
Claire
Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other...
Cosmetic
Cosmetic is a very high-contrast family of sans serif fonts. As its name implies, it has been developed for exquisite applications, like the corporate identity of fashion or beauty product firms, or for cosmetic...
Diodrum Rounded
Diodrum Rounded is a spurless sans family for the Latin script. ‘Spurless’ typefaces feature smooth transitions from letters’ stems into their curved strokes. The design is generally monolinear. Diodrum Rounded’s x-height is…
Erika Hand
Erika Hand is an informal handwriting font with rough edges. The handwriting style used by the Indian Type Foundry to design the font was very casual. The letters do not connect; each is its...
Fielder
Fielder is a sans with an instantly-recognisable source of inspiration from the world of athletics. That’s right: this is a display typeface designed for sports jerseys! All the letterforms’ curves have been straightened out...
Folito
Folito is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Folito was inspired by Modernism and Industrial-Era graphic…
Griff
Griff is a family of sans serif typefaces with unusual stroke contrast. The ‘middle’ parts of many of the fonts’ letterforms are drawn with much thinner strokes than those found in the rest of...
Hedra
Hedra is an experimental sans with monolinear strokes mixing two typographic strands. On the one hand, the letterforms are very geometric: ‘O’ and ‘o’ are nearly perfect circles with just a small bit of...