font

Dobro

Dobro font

Strings vibrating against wood. Counterpoints. Strong beated rhythms and smooth flexible melodies. Repetitive sequences and syncopations. Sweeps and slides. Folk and tradition. That’s how Dobro sounds. Inspired by the spirit of bluegrass music and…

Dr Carbfred Pro

Dr Carbfred Pro font

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200...

Elisetta

Elisetta font

Musical notes and letterforms, silences and white spaces, pentagrams and lines, music and writing have much in common and go beyond time, cultures, styles and locations. This new typeface emerges from the blend between...

Enterline

Enterline font

A collaboration between SAEL (artist) and Ale Paul (type designer) for Sudtipos as part of the first project at the foundry between illustration and type design to create a collection of colorfonts. About the...

Envelove

Envelove font

«Envelove» is the brand new typographic challenge handwritten by Yani Arabena and designed along with Guille Vizzari and Ale Paul, for Sudtipos. It all started as a game for Yani. A carefree and spontaneous...

High

High font

High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent ­— so positioned where...

Quair

Quair font

The typeface that became Quair was originally planned as an extension of our Oban typeface. As it developed it became different enough to be a stand-alone, but connected typeface. Quair mixes typographic and graphic...

Vertical

Vertical font

Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting Roger Excoffon’s Antique...

Address Sans Pro

Address Sans Pro font

History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything...

Atocha

Atocha font

It was expected that Joluvian’s third type font would be inspired by the city where he currently resides: Madrid, Spain. His previous creations had originated in Venezuela (Zulia) and The Philippines (Salamat), both, places...